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And I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.

Brent Spiner

Timing is everything, as you know.
BRENT SPINER

Everything Knows Timing
I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they’d write an arc if I’d do it.
BRENT SPINER

Stars Thinking Writing
Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
BRENT SPINER

Guy Running Smart
That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
BRENT SPINER

Ideas Running Thinking
Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
BRENT SPINER

Amazing Directed Experience Introducing
I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
BRENT SPINER

Broadway Country People
It’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
BRENT SPINER

Fun Littles Running
My own personal favorite Cher song is the unforgettable Gypsies, Tramps and Thieves.
BRENT SPINER

Gypsy Song Thieves
I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
BRENT SPINER

Nice Stars Thinking
And I was, like, “Oh, my God, I can’t believe I’m performing a musical number in front of Donald O’Connor,” who’s one of the greats of the silver screen. But it was a thrilling experience, it really was.
BRENT SPINER

Experience Lie Musical Number Really
As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
BRENT SPINER

Country Hair People Red Saws
Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
BRENT SPINER

Giving Hero Roles
I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
BRENT SPINER

Believe Car Thinking
Any job you can go to and have a laugh everyday has got to be a good job.
BRENT SPINER

Everyday Jobs Laughing
Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
BRENT SPINER

Car Country Effort Half People
Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
BRENT SPINER

Cutting Gentlemen Mean Nice Second Version

And I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.

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And I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.

Related Topics

Popular Authors

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