Timing is everything, as you know.
BRENT SPINERAnd I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.
More Brent Spiner Quotes
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I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they’d write an arc if I’d do it.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
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Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
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I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
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It’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
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My own personal favorite Cher song is the unforgettable Gypsies, Tramps and Thieves.
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I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
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And I was, like, “Oh, my God, I can’t believe I’m performing a musical number in front of Donald O’Connor,” who’s one of the greats of the silver screen. But it was a thrilling experience, it really was.
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As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
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Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
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I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
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Any job you can go to and have a laugh everyday has got to be a good job.
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Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
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Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
BRENT SPINER