The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
BRENT SPINER[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
More Brent Spiner Quotes
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I’ve toyed with this idea [of Fresh Hell] for a long time. I actually wrote a feature years ago with this sort of concept in mind, and it’s gone through several incarnations, and…
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I assumed, “Well, I must’ve sounded like Conan O’Brien, or a reasonable facsimile or something.” And there I am in the movie [South Park: Bigger, Longer & Uncut ]. I was very lucky.
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I don’t think everybody wanted to be on [new Star Trek series] . I certainly didn’t.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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So it was a really pleasant surprise when [Independence Day] turned out to be a successful film. I don’t know if you’ve heard that they’re going to be re-releasing it next Fourth of July in 3-D.
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It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
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Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
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I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.
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Voice acting is about the easiest thing to do. You roll out of bed, throw your clothes on that you had on the night before, you go into the studio, and nobody cares, just as long as you can speak.
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
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I think the potential for man is so enormous, if we can stay alive long enough, we’re going to be seeing a lot of what Star Trek is projecting.
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Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
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As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
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Most of the time, what I do, somewhere there is comedy in it.
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We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
BRENT SPINER