People think that being on Star Trek is career suicide, but it’s really just the opposite
BRENT SPINER[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
More Brent Spiner Quotes
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I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they’d write an arc if I’d do it.
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I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
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I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
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[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
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We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.
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The one on Fresh Hell is a little easier, because we make it up. It’s a strange kind of hybrid of the real me and… Well, obviously it’s me standing there, and it’s my voice and my face, but it’s also kind of filtered through Harry Hannigan’s take on the character, the one he’s writing.
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One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
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Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
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I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack’s daughter.
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I mean, what a man. Someone who’s done Preston Sturges movies, and I actually got to work with him? And he was great.
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It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
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Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she’s the queen of the web.
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Most of the time, what I do, somewhere there is comedy in it.
BRENT SPINER