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I know a guy who writes on the show, it was his episode, and he called and said, “Would you do it?” And I said, “Yeah.” There’s not really much else to tell, except that I was thrilled to be on The Simpsons, because it’s one of the greatest series in the history of television.

Brent Spiner

I think the potential for man is so enormous, if we can stay alive long enough, we’re going to be seeing a lot of what Star Trek is projecting.
BRENT SPINER

Men Stars Thinking
Generally, I have to be able to get the lines out of my mouth without making a mistake before I go to sleep.
BRENT SPINER

Mistakes Mouths Sleep
I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don’t go to Hollywood, you go straight to New York and work in the theater. So that’s what most of the people I knew did.
BRENT SPINER

College Country People
The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
BRENT SPINER

Basically Figured Lovely Producer Thing
I mean, what a man. Someone who’s done Preston Sturges movies, and I actually got to work with him? And he was great.
BRENT SPINER

Great Man Mean Someone Work
I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
BRENT SPINER

Believe Car Thinking
They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
BRENT SPINER

Episode Legacy Stars
Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
BRENT SPINER

Car Country Effort Half People
I’ve toyed with this idea [of Fresh Hell] for a long time. I actually wrote a feature years ago with this sort of concept in mind, and it’s gone through several incarnations, and…
BRENT SPINER

Ideas Long Years
[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
BRENT SPINER

Film Impressive Real
It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
BRENT SPINER

Eye Shooting Thinking
That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
BRENT SPINER

Ideas Running Thinking
In my heart, I’ve never left Brazil.
BRENT SPINER

Country Heart People
I had a really nice time on [Alphas]. It was a bunch of really good actors, and I was particularly thrilled to be working with David Strathairn.
BRENT SPINER

Actors Bunch Nice
We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
BRENT SPINER

Control Director Look Rent Think
[The Aviator] came about through John Logan, who I’ve been friends with for many years.
BRENT SPINER

Aviator Country People Years

I know a guy who writes on the show, it was his episode, and he called and said, “Would you do it?” And I said, “Yeah.” There’s not really much else to tell, except that I was thrilled to be on The Simpsons, because it’s one of the greatest series in the history of television.

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I know a guy who writes on the show, it was his episode, and he called and said, “Would you do it?” And I said, “Yeah.” There’s not really much else to tell, except that I was thrilled to be on The Simpsons, because it’s one of the greatest series in the history of television.

Related Topics

Popular Authors

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