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I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

Brent Spiner

I don’t know what her budget was or is, but she had sponsors for her show, and we don’t have a sponsor yet, so basically, the difference is, our moms make our costumes.
BRENT SPINER

Costumes Series Studio Worked
That’s what kids were like then. So I really like the movie [Dude, Where’s My Car? ], I think it’s genuinely funny, and I wish I hadn’t been so arrogant about it. And, of course, I didn’t know it was going to be my best work, either.
BRENT SPINER

Car Kids Thinking
Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
BRENT SPINER

Giving Hero Roles
Any job you can go to and have a laugh everyday has got to be a good job.
BRENT SPINER

Everyday Jobs Laughing
Most of the time, what I do, somewhere there is comedy in it.
BRENT SPINER

Comedy Most Somewhere Time
Like, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
BRENT SPINER

Makeup Mean Mom
The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
BRENT SPINER

Character Country Jobs
[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
BRENT SPINER

Directors Scene Trying
[Independence Day] was a sweet, sweet job, because it was one of those big surprises.
BRENT SPINER

Independence Jobs Sweet
The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
BRENT SPINER

Basically Figured Lovely Producer Thing
Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
BRENT SPINER

Guy Running Smart
[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
BRENT SPINER

Film Impressive Real
I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
BRENT SPINER

Broadway Country People
Timing is everything, as you know.
BRENT SPINER

Everything Knows Timing
I don’t know you could do a whole film about Dr. Okun from Independence Day.
BRENT SPINER

Country Film Independence
I assumed, “Well, I must’ve sounded like Conan O’Brien, or a reasonable facsimile or something.” And there I am in the movie [South Park: Bigger, Longer & Uncut ]. I was very lucky.
BRENT SPINER

Conan Lucky Parks Something

I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

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I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

Related Topics

Popular Authors

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