The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
BRENT SPINERThe one on Fresh Hell is a little easier, because we make it up. It’s a strange kind of hybrid of the real me and… Well, obviously it’s me standing there, and it’s my voice and my face, but it’s also kind of filtered through Harry Hannigan’s take on the character, the one he’s writing.
More Brent Spiner Quotes
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One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
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I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don’t go to Hollywood, you go straight to New York and work in the theater. So that’s what most of the people I knew did.
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Having spent so much time in a fictional world, I prefer to read about the real world
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I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack’s daughter.
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People think that being on Star Trek is career suicide, but it’s really just the opposite
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Most of the time, what I do, somewhere there is comedy in it.
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I’ve actually only seen it once, and it was in Hawaii, in a little theater in Oahu shortly after it was released. But Roland Emmerich is a really smart guy, and he makes really fun movies to watch.
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I don’t know what her budget was or is, but she had sponsors for her show, and we don’t have a sponsor yet, so basically, the difference is, our moms make our costumes.
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I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
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They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
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Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
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Im thinking of going into rehab. Im not addicted to anything, but I think its good way to jumpstart an acting career.
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And I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.
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In my heart, I’ve never left Brazil.
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Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
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