I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he’s just amazing. He can work miracles with nothing.
BRENT SPINERThe one on Fresh Hell is a little easier, because we make it up. It’s a strange kind of hybrid of the real me and… Well, obviously it’s me standing there, and it’s my voice and my face, but it’s also kind of filtered through Harry Hannigan’s take on the character, the one he’s writing.
More Brent Spiner Quotes
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I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they’d write an arc if I’d do it.
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Like, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
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It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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My own personal favorite Cher song is the unforgettable Gypsies, Tramps and Thieves.
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[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
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And the basic sort of thrust of Star Trek being about equality and tolerance and things I believe in deeply.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
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I don’t know you could do a whole film about Dr. Okun from Independence Day.
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I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don’t go to Hollywood, you go straight to New York and work in the theater. So that’s what most of the people I knew did.
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There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
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I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
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I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack’s daughter.
BRENT SPINER