Timing is everything, as you know.
BRENT SPINERIt’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
More Brent Spiner Quotes
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I love the South Park guys, Trey Parker and Matt Stone. They’re geniuses. I throw that word around a lot, but I really do mean it.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he’s just amazing. He can work miracles with nothing.
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I had a really nice time on [Alphas]. It was a bunch of really good actors, and I was particularly thrilled to be working with David Strathairn.
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I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
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Any job you can go to and have a laugh everyday has got to be a good job.
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Like, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
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Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
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So it was a really pleasant surprise when [Independence Day] turned out to be a successful film. I don’t know if you’ve heard that they’re going to be re-releasing it next Fourth of July in 3-D.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
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There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
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I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don’t go to Hollywood, you go straight to New York and work in the theater. So that’s what most of the people I knew did.
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It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
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As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
BRENT SPINER