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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

Brent Spiner

Timing is everything, as you know.
BRENT SPINER

Everything Knows Timing
I always refer to [Stardust Memories] as Sharon Stone’s and my first film.
BRENT SPINER

Firsts Memories Stones
I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
BRENT SPINER

Nice Stars Thinking
It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
BRENT SPINER

Going Happen Little Thing Universal
I don’t know what her budget was or is, but she had sponsors for her show, and we don’t have a sponsor yet, so basically, the difference is, our moms make our costumes.
BRENT SPINER

Costumes Series Studio Worked
I don’t think everybody wanted to be on [new Star Trek series] . I certainly didn’t.
BRENT SPINER

Stars Thinking Wanted
In my heart, I’ve never left Brazil.
BRENT SPINER

Country Heart People
I’ve actually only seen it once, and it was in Hawaii, in a little theater in Oahu shortly after it was released. But Roland Emmerich is a really smart guy, and he makes really fun movies to watch.
BRENT SPINER

Actually Movies Particularly Reason Watch
One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
BRENT SPINER

Family Interesting Stars Think Wells
[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
BRENT SPINER

Directors Scene Trying
I didn’t really watch the show [Star Trek]. I still haven’t seen about 150 of them. So I didn’t really think of them too much in terms of episodes. I thought of them as kind of one long seven-year episode.
BRENT SPINER

Country People Stars Thinking Years
I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
BRENT SPINER

Sweet Thinking Three
I love the South Park guys, Trey Parker and Matt Stone. They’re geniuses. I throw that word around a lot, but I really do mean it.
BRENT SPINER

Guy Mean Parks
[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
BRENT SPINER

Film Impressive Real
It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
BRENT SPINER

Eye Shooting Thinking
People think that being on Star Trek is career suicide, but it’s really just the opposite
BRENT SPINER

Stars Suicide Thinking

The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

Related Topics

Popular Authors

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