I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
BRENT SPINERIm thinking of going into rehab. Im not addicted to anything, but I think its good way to jumpstart an acting career.
More Brent Spiner Quotes
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I didn’t really watch the show [Star Trek]. I still haven’t seen about 150 of them. So I didn’t really think of them too much in terms of episodes. I thought of them as kind of one long seven-year episode.
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Any job you can go to and have a laugh everyday has got to be a good job.
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Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
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We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.
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Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
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It’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
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[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
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The one on Fresh Hell is a little easier, because we make it up. It’s a strange kind of hybrid of the real me and… Well, obviously it’s me standing there, and it’s my voice and my face, but it’s also kind of filtered through Harry Hannigan’s take on the character, the one he’s writing.
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I think the potential for man is so enormous, if we can stay alive long enough, we’re going to be seeing a lot of what Star Trek is projecting.
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I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
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I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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That’s what kids were like then. So I really like the movie [Dude, Where’s My Car? ], I think it’s genuinely funny, and I wish I hadn’t been so arrogant about it. And, of course, I didn’t know it was going to be my best work, either.
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Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
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[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
BRENT SPINER







