In 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
BRENT FAIYAZI think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
More Brent Faiyaz Quotes
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
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Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that’s kind of how I realized I could sing.
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If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.
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I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.
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If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
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I want to put my soul into the music and still be who I am when it comes to an actual conversation.
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I don’t wake up thinking about the genre of R&B as a whole. I just make music.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.
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I want to own my masters. That’s the main thing–owning all my music.
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In order for people to take what you say seriously, they have to know who you are as a person.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
BRENT FAIYAZ