Music is my one opportunity to let out how I’m feeling when I’m not talking to a chick or my mom, you know what I mean? It’s just venting.
BRENT FAIYAZI’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.
More Brent Faiyaz Quotes
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If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.
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My music is often written from the perspective of an extroverted introvert.
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I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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Don’t stop until you get where you’re trying to go.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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In 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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I mean, I wasn’t the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.
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I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
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There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
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When you’re initially making music, you’re kind of just shooting at the air.
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With the Sonder music, I pull a lot from what’s around me.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
BRENT FAIYAZ






