Know that it is good to work. Work with love and think of liking it when you do it.
BRENDA UELANDI found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months.
More Brenda Ueland Quotes
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You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.
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Try to discover your true, honest, untheoretical self.
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You can argue with a theologian or a politician, but doctors are sacrosanct. They know; you do not. Science has its mystique much more powerful than any religion active today.
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Everybody is original, if he tells the truth, if he speaks from himself. But it must be from his *true* self and not from the self he thinks he *should* be.
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Self-trust is so important. When you launch on a story, make your neck loose, feel free, good-natured. And be lazy. Feel that you are going to throw it away. Try writing utterly unplanned stories and see what comes out.
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Sometimes I think of life as a process where everybody is discouraging and taking everybody else down a peg or two.
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Orthodox criticism … is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the first ones to get killed off.
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I know that we live after death and again and again, not in the memory of our children, or as a mulch for trees and flowers, however poetic that may be, but looking passionately and egocentrically out of our eyes.
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If you would shut your door against the children for an hour a day and say: ‘Mother is working on her five-act tragedy in blank verse!’ you would be surprised how they would respect you. They would probably all become playwrights.
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Think of yourself as incandescent power, illuminated perhaps and forever talked to by God and his messengers.
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These people who are always briskly doing something and as busy as waltzing mice, they have little, sharp, staccato ideas, such as: “I see where I can make an annual cut of $3.47 in my meat budget.” But they have no slow, big ideas.
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The writer has a feeling and utters it from his true self. The reader reads it and is immediately infected and has exactly the same feeling. This is the whole secret of enchantment and fascination.
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So remember these two things: you are talented and you are original. Be sure of that. I say this because self-trust is one of the very most important things in writing.
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If you write something and they all tell you it is bad – editors, critics, everybody – think it over and you may become convinced that they are right (though you are not to be ashamed or discouraged for a minute, but keep on writing).
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Creative power flourishes only when I am living in the present.
BRENDA UELAND