I know that we live after death and again and again, not in the memory of our children, or as a mulch for trees and flowers, however poetic that may be, but looking passionately and egocentrically out of our eyes.
BRENDA UELANDThe best way to know the Truth or Beauty is to try to express it.
More Brenda Ueland Quotes
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Since you are like no other being ever created since the beginning of time, you are incomparable.
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I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months.
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I want to understand more about everything you feel and know and all the changes inside and out of you. Let more come out.” And if you have no such friend,–and you want to write,–well, then you must imagine one.
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… the great artists … do not want security, egoistic or materialistic.
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And least of all – which is so important, too – to those we do not love. But we should. Because listening is a magnetic and strange thing, a creative force…When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
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Sometimes I think of life as a process where everybody is discouraging and taking everybody else down a peg or two.
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It is so conceited and timid to be ashamed of one’s mistakes. Of course they are mistakes. Go on to the next.
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Science and vivisection make no appeal to a theological idea, much less a political one.
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Creative listeners are those who want you to be recklessly yourself, even at your very worst, even vituperative, bad-tempered. They are laughing and just delighted with any manifestation of yourself, bad or good.
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I learned that you should feel when writing, not like Lord Byron on a mountain top, but like child stringing beads in kindergarten, – happy, absorbed and quietly putting one bead on after another.
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The only way to love a person is…by listening to them and seeing and believing in the god, in the poet, in them. For by doing this, you keep the god and the poet alive and make it flourish.
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Write a true, careless, slovenly impulsive, honest diary every day of your life.
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Of course, in fairness, I must remind you of this: that we writers are the most lily-livered of all craftsmen. We expect more, for the most peewee efforts, than any other people.
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These people who are always briskly doing something and as busy as waltzing mice, they have little, sharp, staccato ideas, such as: “I see where I can make an annual cut of $3.47 in my meat budget.” But they have no slow, big ideas.
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Now some people when they sit down to write and nothing special comes, no good ideas, are so frightened that they drink a lot of strong coffee to hurry them up, or smoke packages of cigarettes, or take drugs or get drunk.
BRENDA UELAND







