Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
BRADFORD COXI’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
More Bradford Cox Quotes
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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Unfortunately it’s hard for me to be a fanboy for anything these days just because I see so much music.
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We all come back to our little worlds.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
BRADFORD COX