Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
BRADFORD COXYou’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
More Bradford Cox Quotes
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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Sometimes, I do have something to say, so I’ll sit there and I’ll write a song to someone – and then I just throw it away because it makes me cringe.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
BRADFORD COX