I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
BRADFORD COXThere’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
More Bradford Cox Quotes
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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Contrary to popular belief, maybe, I’m a really friendly guy, I guess, and I really like meeting people. And I’m not really super impressed even if you’re my hero.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it’s not my intention. I just knew that if I drank, I’d have a drinking problem.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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I need punk rock. It’s the medicine for me, but it’s bitter and sickening. If you don’t need it – if you’re happy and healthy – run toward that.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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