My normal writing day involves three hours of actual writing, before noon, and the rest is just feeding the writing. There is teaching (so I can afford to write), travel to be planned and executed.
BONNIE JO CAMPBELLAs a writer, I can live somewhat independently, occupying nooks and crannies and finding meaning there. I can even live in my mind a good portion of most days.
More Bonnie Jo Campbell Quotes
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In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
BONNIE JO CAMPBELL -
You can’t beat a good sonnet, and you can write a sonnet without being married to the damned thing.
BONNIE JO CAMPBELL -
Drugs and drinking affect every family I know, country and city, middle-class and poor.
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I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.
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I like living near my family, and near the people I understand the best. The landscape of Michigan speaks to me, and the humility and humor of the people here makes sense. It just feels right to live here, in a place where I don’t dare put on airs.
BONNIE JO CAMPBELL -
When I was little, we lived on 8 acres and my mom had a horse. But when I was 7, my mom kicked my dad out, and then in order to feed us five kids, she got critters cheap or for free and raised them for food.
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I’m pro-life, in the sense that chaos seems like life to me and order seems like death.
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A Life in Men is a joyful, ambitious novel that is also an adventure traversing three continents, as well as a meditation on love, sex, and, most important, friendship, which can overcome time, distance, and even death.
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Any of us who listen to the news or listen to stories our neighbors tell are accustomed to violence.
BONNIE JO CAMPBELL -
All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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I thought that you had to learn to write by yourself and if you couldn’t do it, then you were out of luck.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
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Time is never wasted coming to an old man bar.
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Men didn’t understand that you couldn’t let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do.
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So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
BONNIE JO CAMPBELL