We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
BONNIE JO CAMPBELLAs a writer, I can live somewhat independently, occupying nooks and crannies and finding meaning there. I can even live in my mind a good portion of most days.
More Bonnie Jo Campbell Quotes
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I’m pro-life, in the sense that chaos seems like life to me and order seems like death.
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The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.
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Drugs and drinking affect every family I know, country and city, middle-class and poor.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.
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We all screw up, but the women I write about don’t have back-up plans or money in the back or resources to fix what they have broken.
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I mostly write about the working poor. Somehow, they’re not being written about much anymore.
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Where I live you’re not supposed to shoot a firearm within a quarter mile of a dwelling.
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Being five-foot-ten at fourteen years old was a little bit scary.
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I think by writing about a place with great specificity, you manage to make it universal.
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As a writer, I can live somewhat independently, occupying nooks and crannies and finding meaning there. I can even live in my mind a good portion of most days.
BONNIE JO CAMPBELL -
There are dozens of emails daily, gardening, lots of dishes (where do all these dishes come from?), daily family emergencies, and, of course, the petting of the donkeys. The smell of donkeys is heavenly, and their he-honking is the sweetest music. I feel calm just thinking about them.
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In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
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Men didn’t understand that you couldn’t let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do.
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So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
BONNIE JO CAMPBELL