My normal writing day involves three hours of actual writing, before noon, and the rest is just feeding the writing. There is teaching (so I can afford to write), travel to be planned and executed.
BONNIE JO CAMPBELLAfter a year, it was great to get out of L.A. and return to Hyde Park. Since my grandparents lived in Hyde Park, I had been coming there since I was a tyke.
More Bonnie Jo Campbell Quotes
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If you have someone falling out of the boat, you’d have to drag the boat up the river and film the same scene ten times, every time, dragging the boat exactly where it was up the river.
BONNIE JO CAMPBELL -
I was never a big reader as a kid. My imagination wasn’t captured by books very often. It was captured more often by boys and partying and riding horses.
BONNIE JO CAMPBELL -
I do different work, teaching and running around visiting universities and bookstores, and that prevents me from writing. But it’s nice to be wanted as a writer.
BONNIE JO CAMPBELL -
I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.
BONNIE JO CAMPBELL -
That’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
BONNIE JO CAMPBELL -
I figure that I’m always going to be fine, one way or another, but I do worry about other people who have difficulty moving from one world to the next. It’s the folks who are truly invested in their lives who have the hardest time with change.
BONNIE JO CAMPBELL -
In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
BONNIE JO CAMPBELL -
Being five-foot-ten at fourteen years old was a little bit scary.
BONNIE JO CAMPBELL -
I’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
BONNIE JO CAMPBELL -
I thought that you had to learn to write by yourself and if you couldn’t do it, then you were out of luck.
BONNIE JO CAMPBELL -
So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
BONNIE JO CAMPBELL -
A Life in Men is a joyful, ambitious novel that is also an adventure traversing three continents, as well as a meditation on love, sex, and, most important, friendship, which can overcome time, distance, and even death.
BONNIE JO CAMPBELL -
I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
BONNIE JO CAMPBELL -
Eighty percent of all novels are bought by women, or so I’ve heard.
BONNIE JO CAMPBELL -
There are dozens of emails daily, gardening, lots of dishes (where do all these dishes come from?), daily family emergencies, and, of course, the petting of the donkeys. The smell of donkeys is heavenly, and their he-honking is the sweetest music. I feel calm just thinking about them.
BONNIE JO CAMPBELL