On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
BOCAFLOJAIt’s like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
More Bocafloja Quotes
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There are situations in which a smile, a laugh, a greeting are racist exercises.
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I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
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I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won’t come from conscious rap.
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The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
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We have to remember that the experience of gangsta rap as such in its foundation is an anti-systemic experience primarily.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn’t, doesn’t, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.
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I believe that also it should be stressed and made clear that our antagonistic position is not to say “I don’t like whites” for the simple fact of not liking white people.
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MTV and the culture industry never are talking about community relevance, hood organization, they aren’t talking about ethical codes, they aren’t talking about forms of political organization, they don’t speak about codes inside the jails. What they talk about are superficial things.
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Racism operates in a lot of ways, and so I live it every day.
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I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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Analyses that through musicality would be able to connect with people who don’t necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
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I can’t marry myself to one idea or one form of doing politics or one form of understanding politics.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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