I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
BOCAFLOJAThe racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
More Bocafloja Quotes
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Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism.
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In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
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The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
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And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren’t.
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So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
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MTV and the culture industry never are talking about community relevance, hood organization, they aren’t talking about ethical codes, they aren’t talking about forms of political organization, they don’t speak about codes inside the jails. What they talk about are superficial things.
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A white leftist Mexican activist isn’t the same in the media as the son of a farmer in Guerrero, they aren’t worth the same.
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
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European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, “Hey, Mumia Abu-Jamal is relevant in the US.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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I can’t marry myself to one idea or one form of doing politics or one form of understanding politics.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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