Everyone thinks I’m a wimp and even my own band hates me. Oh, well. I guess I’ll just flip ’em the bird!
BLACK FRANCISSome people think, “Oh, just go do that thing you used to do before.” But it just doesn’t work like that. It’s a lot more mysterious or slippery.
More Black Francis Quotes
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I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
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If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.
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I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
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I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
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It’s obvious you shouldn’t steal, kill or be cruel.
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I think everybody has a painter inside of them somewhere.
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I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
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I listen to Neil Young and jazz and classical stations and, if my girlfriend’s driving, it tends to be Hall & Oates.
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I’ve got a small, loyal audience, which is great. And I appreciate that. They’re there for me every time.
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This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.
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Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
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When we’ve got something to say to the world, we will. I’m really happy that people are interested. “So, what’s up with the Pixies record? So, what’s up with the Pixies record?”
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One guy just kept asking me and asking me in an interview, and I kept saying, “I just got done telling you no, there’s nothing to report.”
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I don’t want to be flaky. I don’t want to be some temperamental, hard-to-work-with musician.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
BLACK FRANCIS