I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
BLACK FRANCISI drive a lot. Just for pleasure. Sometimes I’ll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y’know, just see where roads lead.
More Black Francis Quotes
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You think you’ve made something really great, but there’s a reason why it’s not resonating the way some previous work did. But it’s not that easy to just replicate.
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I’m really inspired by the interplay of visual art and music, a total artistic environment where there’s sound and visuals.
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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn’t have a day job.
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I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
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Record companies have been overcharging people for way too long and now this is the trouble that they’re in.
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I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
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Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
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A lot of my heroes are artists and a lot of my musical heroes have an artistic side.
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I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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There’s more to life than listening to rock music.
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They’re pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.
BLACK FRANCIS