I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.
BLACK FRANCISThat’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
More Black Francis Quotes
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That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
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They’re pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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I don’t like to have everything all worked out in my head because there’s always a chance of it coming out different than you think it should anyway.
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I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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I come from an art history background. I studied at a master’s degree level; I chose to dork out on art for much of my adult life.
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I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
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If you’re a good band then the filter of the band is pretty strong.
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You think you’ve made something really great, but there’s a reason why it’s not resonating the way some previous work did. But it’s not that easy to just replicate.
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It’s obvious you shouldn’t steal, kill or be cruel.
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When you look at something that’s really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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My most cryptic, strange songs might be my most personal, but that isn’t how people are going to receive them, because they don’t know the code.
BLACK FRANCIS