I’m a whisper in water.
BJORKSeventy per cent humidity is ideal for vocal cords.
More Bjork Quotes
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Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe.
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Formats are just illusions, and it’s about the relationship between the person that makes music and the person that listens to music.
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Solar power, wind power, the way forward is to collaborate with nature – it’s the only way we are going to get to the other end of the 21st century.
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I think every year brings unknowns that you have to deal with and handle, confront and embrace.
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Maybe it’s just a personal thing, but I get so much grounding from Iceland because I know it’s always going to be there.
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I will go in a room and hear the people perform and then change it through what I hear, not on paper. I can read music OK, but I probably rebelled a little – music changes into something else when you read it.
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If nothing else, I have money.
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People ask me questions like, “Oh, you look so theatrical in your photographs. Is that what you’re like when you walk down the street?” It’s like, “Of course not.” It’s such a silly question – it’s like being theatrical is a crime.
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Over the last 10 years, there have been so many incredible albums created in bedrooms by people who never would’ve gotten an album deal.
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There’s definitely, definitely, definitely, no logic to human behaviour . . . There’s no map And a compass Wouldn’t help at all
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I mean, I’ve never been thinking that if you’re a fan you have to buy everything that somebody puts out. I mean, you’ve got a choice. If you don’t want it, just don’t buy it. It’s also a reaction to YouTube and sharing of files.
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National Geographic contacted me about getting on their label, and I was like, ‘Wow, I want to be label mates with the sharks and lemurs!’
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I have always had a certain song in my head, a certain chemistry of sounds.
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Pedaling through the dark currents, I find an accurate copy. A blue print of the pleasure in me.
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In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
BJORK