Icelandic people are really educated. But maybe we are at where the people in the States were 50 years ago, where they think that stuff that isn’t done with a hammer or physical power is not a job. It’s that backwards.
BJORKI have always had a certain song in my head, a certain chemistry of sounds.
More Bjork Quotes
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People are always asking me about eskimos, but there are no eskimos in Iceland.
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I’m not that keen on fierce dictatorship. I think that sort of the point of working with somebody is them coming up with stuff and feeling free to do that.
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I’m not as religious as some people about “the album.” To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that’s 45 minutes.
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Most people’s eyes are much better developed than their ears. If they see a certain emotion in the photograph, then they’ll understand the music.
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Nature is our chapel.
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It takes a long time to fully become who you are.
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When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
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Pedaling through the dark currents, I find an accurate copy. A blue print of the pleasure in me.
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And then within the past 10 years Iceland discovered the stock market and it just went, went, went, went, went. I think it hit a roof and it’s just crashed. Just a small percentage of the nation did a lot of damage.
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The reason I do photographs is to help people understand my music, so it’s very important that I am the same, emotionally, in the photographs as in the music.
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I have a very happy, healthy relationship with the country, so it’s really easy to go everywhere because I always have Iceland to go back to. It’s sort of a contradiction, but that’s how it works somehow.
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i thrive best hermit style. with a beard and a pipe.
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I’ve written arrangements for choirs and strings in the past, but I usually write music with my voice or a keyboard and then I’ll get someone who is good at writing scores to write it out. Or, if I have the luxury of time.
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Now that rock is turning 50, it’s become classical in itself. It’s interesting to see that development.
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People ask me questions like, “Oh, you look so theatrical in your photographs. Is that what you’re like when you walk down the street?” It’s like, “Of course not.” It’s such a silly question – it’s like being theatrical is a crime.
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