“i’m back at my cliff still throwing things off i listen to the sounds they make on their way down i follow him with my eyes ’till they crash imagine what my body would sound like slamming against those rocks.”

In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.

When I was 18, science, physics, and math were my favorite. I was a bit of a nerd – the only girl with a lot of boys at chess championships.

I miss you, but I haven’t met you yet!

I think every year brings unknowns that you have to deal with and handle, confront and embrace.

I have always had a certain song in my head, a certain chemistry of sounds.

Our times seem to be so much about redefining where we are physical and where we’re not.

You shouldn’t let poets lie to you.

If you can make nature and technology friends, then you can make everyone friends; you can make everyone intact. That’s what women do a lot – they’re the glue between a lot of things.

In school, I guess I was a difficult, know-it-all type of student… I was always complaining that music education was too academic.

I’d done three solo albums in a row, and that’s quite narcissistic.

I feel like the people from Iceland have a different relationship with their country than other places.

There is this stereotype of Icelanders all believing in spirits, and I’ve played up to that a bit in interviews.

I get highs, to be totally honest, in second-hand shops. My hunting instinct, I expect, really kicks in.

For a person as obsessed with music as I am, I always hear a song in the back of my head, all the time, and that usually is my own tune. I’ve done that all my life.

Everything is so designed and airbrushed and Botoxed, it makes us think, ‘Oh, everybody’s perfect except me. Everything’s smooth except me.’ But nothing is smooth.

When I was 20, political music was the uncoolest thing on earth. But when Bush got elected, that was the first time I started actually reading the news.