I don’t expect people to get me. That would be quite arrogant. I think there are a lot of people out there in the world that nobody gets.
BJORKIt’s funny how the hippies and the punks tried to get rid of the conservatives, but they always seem to get the upper hand in the end.
More Bjork Quotes
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I’ve written arrangements for choirs and strings in the past, but I usually write music with my voice or a keyboard and then I’ll get someone who is good at writing scores to write it out. Or, if I have the luxury of time.
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I have to re-create the universe every morning when I wake up, and kill it in the evening.
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When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
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Our times seem to be so much about redefining where we are physical and where we’re not.
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I have a very happy, healthy relationship with the country, so it’s really easy to go everywhere because I always have Iceland to go back to. It’s sort of a contradiction, but that’s how it works somehow.
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Formats are just illusions, and it’s about the relationship between the person that makes music and the person that listens to music.
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I do try and wear stuff by unknown designers, and I make sure I pay because if nothing else I have money.
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I don’t like records that are the same from beginning to end, that are too styled and slick.
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But I’m not interested in politics. I lose interest the microsecond it ceases to be emotional, when something becomes a political movement. What I’m interested in is emotions.
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It’s important at that age to set up something, and then maybe afterwards you can go study your violin for 500 hours a week. But at least in the beginning you know about the options.
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I lose energy and I can’t do as many things as I want. So I have to plan days when I’m not doing anything. I find that a bit boring, but it’s necessary.
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If travel is searching and home what’s been found, I’m not stopping. I’m going hunting.
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It’s a sign that you have a good work relationship if you don’t have to analyze. That’s usually a good sign within creative work.
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We’re always mourning things that have died. It’s a bit much sometimes. These studios have no fresh air, and there’s this unwritten rule that they don’t have windows, either.
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Now that rock is turning 50, it’s become classical in itself. It’s interesting to see that development.
BJORK