It’s funny how the hippies and the punks tried to get rid of the conservatives, but they always seem to get the upper hand in the end.
BJORKI have a very happy, healthy relationship with the country, so it’s really easy to go everywhere because I always have Iceland to go back to. It’s sort of a contradiction, but that’s how it works somehow.
More Bjork Quotes
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People are always asking me about eskimos, but there are no eskimos in Iceland.
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I get highs, to be totally honest, in second-hand shops. My hunting instinct, I expect, really kicks in.
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I lose energy and I can’t do as many things as I want. So I have to plan days when I’m not doing anything. I find that a bit boring, but it’s necessary.
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I have to re-create the universe every morning when I wake up, and kill it in the evening.
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The reason I do interviews is because I’m protecting my songs.
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I love England. It’s no coincidence it’s the first place I moved to for a more cosmopolitan life, which is the only thing Iceland lacks.
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I love being a very personal singer-songwriter, but I also like being a scientist or explorer.
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I’m a fountain of blood. In the shape of a girl.
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It’s a sign that you have a good work relationship if you don’t have to analyze. That’s usually a good sign within creative work.
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People are always going to need physicality; they’re going to want to meet other people even more. I’ve got faith in the physical angle. People have their needs. They won’t forget about them.
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We’re always mourning things that have died. It’s a bit much sometimes. These studios have no fresh air, and there’s this unwritten rule that they don’t have windows, either.
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Emotions weren’t created to just lie around. You should experience things to the full. I’ve got a sense of the clock ticking.
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I do try and wear stuff by unknown designers, and I make sure I pay because if nothing else I have money.
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Everything is so designed and airbrushed and Botoxed, it makes us think, ‘Oh, everybody’s perfect except me. Everything’s smooth except me.’ But nothing is smooth.
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In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
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I think every year brings unknowns that you have to deal with and handle, confront and embrace.
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I get embarrassed listening to my last CDs. I’ve got a lot of work to do, let’s put it that way.
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It seems that most the world is driven by the eye, right? They design cities to look great but they always sound horrible …
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Our times seem to be so much about redefining where we are physical and where we’re not.
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There’s more to Life than this
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I’ve never done an album like this. With Biophilia, I was being like Kofi Annan – I had to be the pacifist to try to unite the impossible.
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I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it’s good enough. I let my subconscious do the editing for me.
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If you wake up / And the day feels broken / Just lean into the crack
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The reason I do photographs is to help people understand my music, so it’s very important that I am the same, emotionally, in the photographs as in the music.
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You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could’ve done that in the 90s, I would have.
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I’m no buddhist, but this is fu**ing enlightmentment
BJORK