I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.
BILLY COLLINSI was able to read poets that were – allowed me to be humorous without being silly.
More Billy Collins Quotes
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Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.
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It’s a good thing to get poetry off the shelves and more into public life.
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I stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky.
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Robert Frost really started this whole thing rolling. He was, I believe, the first poet who started going to colleges. Before that, poets didn’t give public readings very often, certainly not – there was no circuit of schools.
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I can’t picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I’m making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.
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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
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I mean, the sonnet will simply tell you, that’s too many syllables or that’s too many lines or that’s the wrong place. So, instead of being alone, you’re in dialogue with the form.
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I try to presume that no one is interested in me. And I think experience bears that out. No one’s interested in the experiences of a stranger – let’s put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
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I don’t know if anyone’s reading it, but poets are still flying around the country going from lectern to lectern.That circuitry has become very well-established.
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I see all of us reading ourselves away from ourselves, straining in circles of light to find more light until the line of words becomes a trail of crumbs that we follow across a page of fresh snow.
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I see woefully obscure poetry as simply a kind of verbal rudeness.
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I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can’t afford to follow. But the poet is willing to stop anywhere.
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To write poetry is to be very alone, but you always have the company of your influences. But you also have the company of the form itself, which has a kind of consciousness.
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It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
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So many names, there is barely room on the walls of the heart.
BILLY COLLINS