I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
BILLY COLLINSA sentence starts out like a lone traveler heading into a blizzard at midnight, tilting into the wind, one arm shielding his face, the tails of his thin coat flapping behind him.
More Billy Collins Quotes
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Usually the poems are written in one sitting. There’s always a groping towards some satisfying ending. But I’d say the hardest part is not writing. Once the writing starts, it’s too pleasurable to think of it as a difficulty.
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I was able to read poets that were – allowed me to be humorous without being silly.
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There’s a lot of unconscious activity that goes on I think in the composition of a poem.
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I was a pretty happy kid, I had to fake it. I had to get into this miserable character before I wrote poems.
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I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
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Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem’s room and feel the walls for a light switch.
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Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there’s no visual distraction.
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Death is what makes life fun.
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I stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky.
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It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine.
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I thought originally when I was in school and I wanted to be a poet, I knew that poets seemed to be miserable.
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When you get a poem [in a public place], it happens to you so suddenly that you don’t have time to deploy your anti-poetry deflector shields that were installed in high school.
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The really authentic thing about humor is that anyone can pretend to be serious. Anyone who’s ever had a job – in fact, we’re pretending to be serious now, more or less.
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But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
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I mean, the sonnet will simply tell you, that’s too many syllables or that’s too many lines or that’s the wrong place. So, instead of being alone, you’re in dialogue with the form.
BILLY COLLINS