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I don’t know if anyone’s reading it, but poets are still flying around the country going from lectern to lectern.That circuitry has become very well-established.

Billy Collins

Death is what makes life fun.
BILLY COLLINS

Death Fun Life
But tomorrow, dawn will come the way I picture her, barefoot and disheveled, standing outside my window in one of the fragile cotton dresses of the poor. She will look in at me with her thin arms extended, offering a handful of birdsong and a small cup of light.
BILLY COLLINS

Bird Light Offering
My poems could easily evaporate. So I don’t know. If you find yourself as a writer thinking about posterity you should probably go out for a brisk walk or something.
BILLY COLLINS

Poem Posterity Something Thinking Walk
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
BILLY COLLINS

Constructed DNA First Keys Signatures Time
Poetry is like standing on the edge of a lake on a moonlit night and the light of the moon is always pointing straight at you.
BILLY COLLINS

Lakes Moon Night Pointing
I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.
BILLY COLLINS

Himself Interrupt Other Reader Utterance
I have one of these early memories where I’m in the back of my parents’ car, a place I loved to spend a lot of time as an only child, not having to fight with venomous siblings over the only toy.
BILLY COLLINS

Child Early Memories Parents Time Venomous
I always think W.S. Merwin’s poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin.
BILLY COLLINS

Finding Yourself Thinking Writing
While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
BILLY COLLINS

Novelists Poet Typewriters
Every Day Is for the Thief is a vivid, episodic evocation of the truism that you can’t go home again; but that doesn’t mean you’re not free to try.
BILLY COLLINS

Day Every Home Mean Trying
The poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’
BILLY COLLINS

Poem Real Thinking Writing
The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.
BILLY COLLINS

Agendas Discovery Writing
You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
BILLY COLLINS

Simplifying Thing Voice
I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
BILLY COLLINS

Clarity Comprehensive Exposed Real Risk Thinking
One of the ridiculous aspects of being a poet is the huge gulf between how seriously we take ourselves and how generally we are ignored by everybody else.
BILLY COLLINS

Differences Everybody Poetry Self
There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
BILLY COLLINS

Air Fall Insertion Open Time Writing

I don’t know if anyone’s reading it, but poets are still flying around the country going from lectern to lectern.That circuitry has become very well-established.

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I don’t know if anyone’s reading it, but poets are still flying around the country going from lectern to lectern.That circuitry has become very well-established.

Related Topics

Popular Authors

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