It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine.
BILLY COLLINSNow I would say at any given moment in American life, there are probably 45 poets in airplanes vectoring across the country heading towards…
More Billy Collins Quotes
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I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
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When you get a poem [in a public place], it happens to you so suddenly that you don’t have time to deploy your anti-poetry deflector shields that were installed in high school.
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But my heart is always propped up in a field on its tripod, ready for the next arrow.
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It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
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I see all of us reading ourselves away from ourselves, straining in circles of light to find more light until the line of words becomes a trail of crumbs that we follow across a page of fresh snow.
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My poems could easily evaporate. So I don’t know. If you find yourself as a writer thinking about posterity you should probably go out for a brisk walk or something.
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In the process of simplifying oneself, one often discovers the thing called voice.
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So many names, there is barely room on the walls of the heart.
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You’ll find i-poetry, you’ll find that you can download poetry, that you can stuff your i-pod with recorded poetry. So just to answer the question that way, I think that poetry is gonna catch up with that technology quite soon.
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Bugs Bunny is my muse.
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I thought originally when I was in school and I wanted to be a poet, I knew that poets seemed to be miserable.
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I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.
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I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.
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You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
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To write poetry is to be very alone, but you always have the company of your influences. But you also have the company of the form itself, which has a kind of consciousness.
BILLY COLLINS