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There’s a lot of unconscious activity that goes on I think in the composition of a poem.

Billy Collins

One of the ridiculous aspects of being a poet is the huge gulf between how seriously we take ourselves and how generally we are ignored by everybody else.
BILLY COLLINS

Differences Everybody Poetry Self
I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
BILLY COLLINS

Life People Poet Popular Recognized Thought
The poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’
BILLY COLLINS

Poem Real Thinking Writing
I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.
BILLY COLLINS

Moving Progress Simple
(Again I’m trying to give you a finite version of this career.) And then I came under the sway of Wallace Stevens when I was in college and graduate school, and basically set as a life goal the ambition of writing third-rate Wallace Stevens.
BILLY COLLINS

Ambition Basically Career Goal Graduation Version
The entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones.
BILLY COLLINS

Decided Heard Hemisphere Memories Southern Suddenly
I knew that poets seemed to be miserable.
BILLY COLLINS

Miserable Poet Seemed
Every Day Is for the Thief is a vivid, episodic evocation of the truism that you can’t go home again; but that doesn’t mean you’re not free to try.
BILLY COLLINS

Day Every Home Mean Trying
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
BILLY COLLINS

Brother Cartoon Creativity Thinking Wordsworth
Listeners are kind of ambushed… if a poem just happens to be said when they’re listening to the radio. The listener doesn’t have time to deploy what I call their ‘poetry deflector shields’ that were installed in high school – there’s little time to resist the poem.
BILLY COLLINS

Listening Radio School
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
BILLY COLLINS

Constructed DNA First Keys Signatures Time
Bugs Bunny is my muse.
BILLY COLLINS

Bugs Bunnies Creativity
But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
BILLY COLLINS

Echoing Everyone Home Rain Song Tell
A motto I’ve adopted is, if at first you don’t succeed, hide all evidence that you ever tried.
BILLY COLLINS

Firsts Motto Succeed
I see all of us reading ourselves away from ourselves, straining in circles of light to find more light until the line of words becomes a trail of crumbs that we follow across a page of fresh snow.
BILLY COLLINS

Circles Light Reading
When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
BILLY COLLINS

Easy Person Roles Simple Understand

There’s a lot of unconscious activity that goes on I think in the composition of a poem.

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There’s a lot of unconscious activity that goes on I think in the composition of a poem.

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