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I stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky.

Billy Collins

When you get a poem [in a public place], it happens to you so suddenly that you don’t have time to deploy your anti-poetry deflector shields that were installed in high school.
BILLY COLLINS

Inspiration Motivation School
I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can’t afford to follow. But the poet is willing to stop anywhere.
BILLY COLLINS

Distraction Left Path Right Thinking
I’m speaking to someone I’m trying to get to fall in love with me. I’m trying to speak intimately to one person. That should be clear. I’m not speaking to an audience. I’m not writing for the podium.
BILLY COLLINS

Falling Love Podium Silence Writing
The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,
BILLY COLLINS

Conclusion Fishing Memories Novel Phones
Humor is just an ingredient. It’s always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it’s found its way back. And it’s simply an ingredient.
BILLY COLLINS

Dropped Found Ingriidient Poetry Simply
When I began to dare to be clear, because I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
BILLY COLLINS

Comprehensible Exposed Real Risk Saying Thinking
Another trouble with poetry – and I’m gonna stop the list at two – is the presence of presumptuousness in poetry.
BILLY COLLINS

Memories Perception Two
A sentence starts out like a lone traveler heading into a blizzard at midnight, tilting into the wind, one arm shielding his face, the tails of his thin coat flapping behind him.
BILLY COLLINS

Coat Floating Midnight Tails Wind
There’s a lot of unconscious activity that goes on I think in the composition of a poem.
BILLY COLLINS

Goes On Thinking Unconscious
I was a pretty happy kid, I had to fake it. I had to get into this miserable character before I wrote poems.
BILLY COLLINS

Character Happy Kid Kids
I can’t picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I’m making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.
BILLY COLLINS

Fun Thinking Writing
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
BILLY COLLINS

Brother Cartoon Creativity Thinking Wordsworth
It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine.
BILLY COLLINS

Believe Cutting Yesterday
More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree – a difficulty which really ignores the possibility of having a sensible reader.
BILLY COLLINS

Degrees Experimental Insane Kind More Often
Humor, for me, is really a gate of departure. Its a way of enticing a reader into a poem so that less funny things can take place later. It really is not an end in itself, but a means to an end.
BILLY COLLINS

Departure Funny Mean Things
The great thing about the game of poetry is that it’s always your turn – I guess that goes back to my being an only child. So once it’s under way, there is a sense of flow.
BILLY COLLINS

Child Game Great Poetry Thing Under Way

I stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky.

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I stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky.

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