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I always think W.S. Merwin’s poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin.

Billy Collins

I mean, the sonnet will simply tell you, that’s too many syllables or that’s too many lines or that’s the wrong place. So, instead of being alone, you’re in dialogue with the form.
BILLY COLLINS

Alone Dialogue Simply Sonnet Wrong
No one here likes a wet dog.
BILLY COLLINS

Dogs Likes Wet
When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
BILLY COLLINS

Easy Person Roles Simple Understand
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
BILLY COLLINS

Constructed DNA First Keys Signatures Time
I was an only child, a very late child, born to parents who were both 39 at the time, which was very late back then. That kind of confirmed my sense of being the center of the universe, which I guess every child feels – children and poets both tend to feel.
BILLY COLLINS

Child Children Only Parent
I’m a line-maker. I think that’s what makes poets different from prose-writers. That’s the main way. We think, not just in sentences the way prose writers do but also in lines. So we’re doing these two things at the same time.
BILLY COLLINS

Different Thinking Two
Poetry is like standing on the edge of a lake on a moonlit night and the light of the moon is always pointing straight at you.
BILLY COLLINS

Lakes Moon Night Pointing
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
BILLY COLLINS

Beating Mean Rope Tie Ties
Clarity is certainly a way toward disorientation because if you don’t start out – if the reader isn’t grounded, if the reader is disoriented in the beginning of the poem, then the reader can’t be led astray or disoriented later.
BILLY COLLINS

Astray Beginning Clarity Disorientated Poem Reader
But tomorrow, dawn will come the way I picture her, barefoot and disheveled, standing outside my window in one of the fragile cotton dresses of the poor. She will look in at me with her thin arms extended, offering a handful of birdsong and a small cup of light.
BILLY COLLINS

Bird Light Offering
But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
BILLY COLLINS

Echoing Everyone Home Rain Song Tell
The literary world is so full of pretension, and there’s such an enormous gap between how seriously poets take themselves and how widely they’re ignored by everybody else.
BILLY COLLINS

Gaps Ignored Poet Themselves World
To write poetry is to be very alone, but you always have the company of your influences. But you also have the company of the form itself, which has a kind of consciousness.
BILLY COLLINS

Consciousness Lines Mean Writing
You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
BILLY COLLINS

Character Earth Eqiuipvalent Resembles Voice
I’m very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader’s attention back into the interior of the poem.
BILLY COLLINS

Attention Conscious Poem Progress
High School is the place where poetry goes to die.
BILLY COLLINS

Dies High School

I always think W.S. Merwin’s poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin.

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I always think W.S. Merwin’s poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin.

Related Topics

Popular Authors

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