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The poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’

Billy Collins

The great thing about the game of poetry is that it’s always your turn – I guess that goes back to my being an only child. So once it’s under way, there is a sense of flow.
BILLY COLLINS

Child Game Great Poetry Thing Under Way
A motto I’ve adopted is, if at first you don’t succeed, hide all evidence that you ever tried.
BILLY COLLINS

Firsts Motto Succeed
I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
BILLY COLLINS

God Looking Remarkable Saint Something
When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
BILLY COLLINS

Easy Person Roles Simple Understand
As soon as I start to write I’m very aware, I’m trying to be aware that a reader just might well pick up this poem, a stranger. So when I’m writing – and I think that this is important for all writers – I’m trying to be a writer and a reader back and forth.
BILLY COLLINS

Aware Stranger Thinking Trying Two Writing
Humor is just an ingredient. It’s always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it’s found its way back. And it’s simply an ingredient.
BILLY COLLINS

Dropped Found Ingriidient Poetry Simply
Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
BILLY COLLINS

Differences Difficult Poet Reading Thinking
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
BILLY COLLINS

Constructed DNA First Keys Signatures Time
I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.
BILLY COLLINS

Doors Notebook Writing
Death is what makes life fun.
BILLY COLLINS

Death Fun Life
…balancing the wish to be lost with the need to be found.
BILLY COLLINS

Lost Needs Wish
While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
BILLY COLLINS

Novelists Poet Typewriters
You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
BILLY COLLINS

Embellishment Style Voice Writing
It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine.
BILLY COLLINS

Believe Cutting Yesterday
I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.
BILLY COLLINS

Moving Progress Simple
That’s the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
BILLY COLLINS

Poem Reader Talking Travel Writing

The poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’

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The poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’

Related Topics

Popular Authors

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