I see woefully obscure poetry as simply a kind of verbal rudeness.
BILLY COLLINSThe poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’
More Billy Collins Quotes
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I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
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I stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky.
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I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.
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I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
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Now I would say at any given moment in American life, there are probably 45 poets in airplanes vectoring across the country heading towards…
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One of the ridiculous aspects of being a poet is the huge gulf between how seriously we take ourselves and how generally we are ignored by everybody else.
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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
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I hope the poem, as it goes on, gets more complicated, a little more demanding, a little more ambiguous or speculative, so that we’re drifting away from the casual beginning of the poem into something a little more serious.
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I thought originally when I was in school and I wanted to be a poet, I knew that poets seemed to be miserable.
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Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
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I find it strange that – at least in my take on it – the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway.
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I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
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The entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones.
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There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
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No one here likes a wet dog.
BILLY COLLINS