Live your Art. Don’t think about it.
BILL VIOLAYou are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
More Bill Viola Quotes
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I like to keep the meanings in my work flowing and open.
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
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I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
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There is an invisible world out there, and we are living in it.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
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The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
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My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLA