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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.

Bill Viola

You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
BILL VIOLA

Art Experts Feelings
Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
BILL VIOLA

Everything Issue Man Mind Walk
The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
BILL VIOLA

Death DNA Light Material Speed
When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
BILL VIOLA

Art Hope Reflection Something Space
Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLA

Experiences Mystical Solitude Wisdom
I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLA

Able Cameras Paris
Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
BILL VIOLA

Creative Devotion Express Guy Pyramids
My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLA

Fragment might Simple Writing
It only takes a second for an impression to become a vision.
BILL VIOLA

Impression Second Vision
There is an invisible world out there, and we are living in it.
BILL VIOLA

Invisible Living World
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLA

Age Artist Coming Panasonic Video Year
Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
BILL VIOLA

Embody Everything Experience Memories Microsm Retina
Live your Art. Don’t think about it.
BILL VIOLA

Art Live Thinking
Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
BILL VIOLA

Fast Paced Soul World
I would prefer to be forgotten, then rediscovered in a different age.
BILL VIOLA

Age Different Forgotten
Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
BILL VIOLA

Feelings Identity Interconnected Rocks Tree

You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.

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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.

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Popular Authors

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