I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLAWe call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
More Bill Viola Quotes
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Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
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There is an invisible world out there, and we are living in it.
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It only takes a second for an impression to become a vision.
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I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
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We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
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Revolution is something that actually starts in individual hearts.
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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I like to keep the meanings in my work flowing and open.
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My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
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For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
BILL VIOLA