Live your Art. Don’t think about it.
BILL VIOLAExperience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
More Bill Viola Quotes
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Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
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For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
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It only takes a second for an impression to become a vision.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
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Revolution is something that actually starts in individual hearts.
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My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
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I would prefer to be forgotten, then rediscovered in a different age.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
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We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLA