I spend a lot of time writing. I get inspiration from texts rather than images.
BILL VIOLAExperience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
More Bill Viola Quotes
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
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We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
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Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
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Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
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I like to keep the meanings in my work flowing and open.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
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It only takes a second for an impression to become a vision.
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
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I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
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There is an invisible world out there, and we are living in it.
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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