My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLAExperience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
More Bill Viola Quotes
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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
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I like to keep the meanings in my work flowing and open.
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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There is an invisible world out there, and we are living in it.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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Revolution is something that actually starts in individual hearts.
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
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I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
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Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
BILL VIOLA