My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLAMy works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLAI don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
BILL VIOLAWe call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLAIt only takes a second for an impression to become a vision.
BILL VIOLASince the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLAA lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
BILL VIOLAExperience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
BILL VIOLAI would prefer to be forgotten, then rediscovered in a different age.
BILL VIOLAWhen I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
BILL VIOLAYou are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
BILL VIOLARevolution is something that actually starts in individual hearts.
BILL VIOLAThe electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
BILL VIOLABecause we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
BILL VIOLAI came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLAWhen the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
BILL VIOLAI spend a lot of time writing. I get inspiration from texts rather than images.
BILL VIOLA