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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.

Bill Viola

I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLA

Able Cameras Paris
When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
BILL VIOLA

Art Hope Reflection Something Space
When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
BILL VIOLA

Container Outside Water Merge
We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLA

Call Death Metaphor Moment Ourselves
The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
BILL VIOLA

Death DNA Light Material Speed
It only takes a second for an impression to become a vision.
BILL VIOLA

Impression Second Vision
I like to keep the meanings in my work flowing and open.
BILL VIOLA

Flowing Keep Meaning Open
Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
BILL VIOLA

Intellectual Keys Thinking
There is an invisible world out there, and we are living in it.
BILL VIOLA

Invisible Living World
I spend a lot of time writing. I get inspiration from texts rather than images.
BILL VIOLA

Images Inspiration Writing
Revolution is something that actually starts in individual hearts.
BILL VIOLA

Heart Individual Revolution
In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
BILL VIOLA

Art Change Students Thinking
Live your Art. Don’t think about it.
BILL VIOLA

Art Live Thinking
I would prefer to be forgotten, then rediscovered in a different age.
BILL VIOLA

Age Different Forgotten
I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
BILL VIOLA

Art Believe Borrowing Original Thinking
For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
BILL VIOLA

Floating Moving Ocean Water

When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.

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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.

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Popular Authors

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