I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
BILL VIOLAWhen I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
More Bill Viola Quotes
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I would prefer to be forgotten, then rediscovered in a different age.
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Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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Live your Art. Don’t think about it.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
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It only takes a second for an impression to become a vision.
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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I like to keep the meanings in my work flowing and open.
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Revolution is something that actually starts in individual hearts.
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For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
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I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLA