Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
BILL VIOLAI like to keep the meanings in my work flowing and open.
More Bill Viola Quotes
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
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I spend a lot of time writing. I get inspiration from texts rather than images.
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I would prefer to be forgotten, then rediscovered in a different age.
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It only takes a second for an impression to become a vision.
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Revolution is something that actually starts in individual hearts.
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There is an invisible world out there, and we are living in it.
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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
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A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
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I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
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I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLA