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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

Bill Viola

I spend a lot of time writing. I get inspiration from texts rather than images.
BILL VIOLA

Images Inspiration Writing
A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
BILL VIOLA

Art Being Just Together
Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
BILL VIOLA

Intellectual Keys Thinking
You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
BILL VIOLA

Art Experts Feelings
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLA

Age Artist Coming Panasonic Video Year
Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
BILL VIOLA

Fast Paced Soul World
Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLA

Experiences Mystical Solitude Wisdom
My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLA

Fragment might Simple Writing
In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
BILL VIOLA

Art Change Students Thinking
Revolution is something that actually starts in individual hearts.
BILL VIOLA

Heart Individual Revolution
I would prefer to be forgotten, then rediscovered in a different age.
BILL VIOLA

Age Different Forgotten
It only takes a second for an impression to become a vision.
BILL VIOLA

Impression Second Vision
When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
BILL VIOLA

Container Outside Water Merge
We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLA

Call Death Metaphor Moment Ourselves
When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
BILL VIOLA

Art Hope Reflection Something Space
The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
BILL VIOLA

Death DNA Light Material Speed

In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

Related Topics

Popular Authors

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