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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

Bill Viola

Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
BILL VIOLA

Embody Everything Experience Memories Microsm Retina
When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
BILL VIOLA

Art Hope Reflection Something Space
Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
BILL VIOLA

Feelings Identity Interconnected Rocks Tree
I would prefer to be forgotten, then rediscovered in a different age.
BILL VIOLA

Age Different Forgotten
Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLA

Experiences Mystical Solitude Wisdom
I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLA

Able Cameras Paris
My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.
BILL VIOLA

Fragment might Simple Writing
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLA

Age Artist Coming Panasonic Video Year
Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
BILL VIOLA

Fast Paced Soul World
Human beings have always been creative. The guys who were making the pyramids, and archaeological research has showed us this, had little figurines made by the workers, to express their devotion to their god.
BILL VIOLA

Creative Devotion Express Guy Pyramids
We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLA

Call Death Metaphor Moment Ourselves
There is an invisible world out there, and we are living in it.
BILL VIOLA

Invisible Living World
Revolution is something that actually starts in individual hearts.
BILL VIOLA

Heart Individual Revolution
The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
BILL VIOLA

Death DNA Light Material Speed
I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
BILL VIOLA

Art Believe Borrowing Original Thinking
For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
BILL VIOLA

Floating Moving Ocean Water

In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

Related Topics

Popular Authors

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