black
grey
blue
red
brown
white

In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

Bill Viola

Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
BILL VIOLA

Everything Issue Man Mind Walk
I spend a lot of time writing. I get inspiration from texts rather than images.
BILL VIOLA

Images Inspiration Writing
I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
BILL VIOLA

Art Believe Borrowing Original Thinking
Live your Art. Don’t think about it.
BILL VIOLA

Art Live Thinking
There is an invisible world out there, and we are living in it.
BILL VIOLA

Invisible Living World
I like to keep the meanings in my work flowing and open.
BILL VIOLA

Flowing Keep Meaning Open
Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
BILL VIOLA

Embody Everything Experience Memories Microsm Retina
Revolution is something that actually starts in individual hearts.
BILL VIOLA

Heart Individual Revolution
Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLA

Experiences Mystical Solitude Wisdom
The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
BILL VIOLA

Brain Earth Honestly Thinking
You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
BILL VIOLA

Art Experts Feelings
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLA

Age Artist Coming Panasonic Video Year
I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
BILL VIOLA

Able Cameras Paris
For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
BILL VIOLA

Floating Moving Ocean Water
Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
BILL VIOLA

Feelings Identity Interconnected Rocks Tree
We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLA

Call Death Metaphor Moment Ourselves

In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

Related Topics

Popular Authors

In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.

Related Topics

Popular Authors

More Bill Viola Quotes