I am a fan of rehearsal. I like doing it [scene] over and over and over and over until it looks like you never did it before.
BILL NIGHYI don’t think there’s an improvised word in the movie. I hope not because I admire writing. Improvising is kind of gambling. It’s just that you’re standing up.
More Bill Nighy Quotes
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Hunger is almost like something the West does. It’s almost like the direct result of the way the West performs.
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I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn’t operate in those kinds of trousers. Which is a joke, but it’s actually also true – if I want to appear in public I want to look my best.
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The phenomenon of vampires has always appealed to me. Everyone kind of likes a vampire story because it almost could be true.
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I find it hard to relax around any man who’s got the second button on his shirt undone.
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In one way, an attempt to reproduce the way people actually speak, but it’s not just an attempt at naturalism. It’s stylised and it’s heightened, to great effect. It’s elegant and it’s funny and that’s the way to my heart, frankly.
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A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.
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I don’t want to associate myself with any specific group of politicians.
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If I’m going to appear in front of people I like to look my best.
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I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
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It’s more than usually possible that I won’t do a play again. But Skylight is one of the great plays in the English language.
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I have nothing against romanticism. I’m all for it. I’m helpless in the face of romance.
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So there are things like projection and filling the room, and not dropping the ends of lines – technical things which are important, but I don’t think they change the way I feel in a scene.
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They’re at their most enchanting ’cause they just want to put it off, so they do a cabaret for you. You sit there thinking, “Please don’t let this end.”
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Actors always talk about taking their work home and I always think: ‘What are you on? You just turn it off. You are at work and then you go home.’
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The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.
BILL NIGHY