There are no inherent limitations to the medium. There are just differences.
BILL HENSONIt just struck me that one of the things about photography that made it such a compelling medium to deal with is that it is perhaps the most contradictory of mediums.
More Bill Henson Quotes
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Most of life is grey, with a little tiny bit of black and white.
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You have the literalness of a glass on a table – and at the same time of that evidential authority that you can’t get around, there is the possibility of universalizing the subject – of getting the whole world into the picture.
BILL HENSON -
I didn’t have any witticisms to land on suburbia. I was really just interested in how beautiful it was. I felt it was like a dreamscape and once I understood that was how I needed to approach it the dream started to expand in unusual ways.
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It’s a profoundly different thing to be able to refer to the images you are taking at the time and check them out on a laptop that is plugged into your Hasselblad and go “oh no, do it again, do it again”.
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When you go to a great concert something that happens is there is a deep sense of communality and connectedness one to another – as though we are all looking to eachother and saying yeah, we get it, we’re all on one page.
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I have always found the suburbs very beautiful – the light, the change of seasons and so on. I am not so interested in the political dimensions of these things.
BILL HENSON -
In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph.
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As a boy I was obsessed with Egypt and Egyptology. I’m convinced it’s not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It’s a bit like young girls and horses.
BILL HENSON -
Adolescence is interesting. I mean, all of life is interesting and all of life is transitionary. But I think there is an exponential growth physically, intellectually, emotionally and there is so much potential.
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All of those a requickly made decisions. The fact that you can see the images right away in a funny way makes the whole relationship more casual. I don’t want a casual relationship with my subject.
BILL HENSON -
What happens with experiences that really move us deeply, that really effect us? They make the world new again. What it does is it heightens our sense of mortality.
BILL HENSON -
It just struck me that one of the things about photography that made it such a compelling medium to deal with is that it is perhaps the most contradictory of mediums.
BILL HENSON -
I was always amazed at how beautiful the light was. At different times of the day the landscape becomes a different place. Dawn and dusk, it’s a different place.
BILL HENSON -
I could be standing in the supermarket, and there is a person standing down the aisle, who is reading the back of a cornflakes box but everything about them is going “It’s me! I’m the one you want! I am the necessary subject. This is it!”
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It was the dreamscape of the suburbs that interested me.
BILL HENSON