“I was always amazed at how beautiful the light was. At different times of the day the landscape becomes a different place. Dawn and dusk, it’s a different place.”

Adolescence is interesting. I mean, all of life is interesting and all of life is transitionary. But I think there is an exponential growth physically, intellectually, emotionally and there is so much potential.

There’s something about the processional nature of the architecture, of the rooms connecting rooms. It’s just breathtaking.

On practical level I can’t pick up the camera until I think I know what I want. I don’t wander around. It’s almost impossible for me to pick up a camera… it’s really hard.

Most of life is grey, with a little tiny bit of black and white. We’re always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one!

I have always found the suburbs very beautiful – the light, the change of seasons and so on. I am not so interested in the political dimensions of these things.

It was the dreamscape of the suburbs that interested me.

In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph.

All of those a requickly made decisions. The fact that you can see the images right away in a funny way makes the whole relationship more casual. I don’t want a casual relationship with my subject.

I didn’t have any witticisms to land on suburbia. I was really just interested in how beautiful it was. I felt it was like a dreamscape and once I understood that was how I needed to approach it the dream started to expand in unusual ways.

I could be standing in the supermarket, and there is a person standing down the aisle, who is reading the back of a cornflakes box but everything about them is going “It’s me! I’m the one you want! I am the necessary subject. This is it!”

It’s a profoundly different thing to be able to refer to the images you are taking at the time and check them out on a laptop that is plugged into your Hasselblad and go “oh no, do it again, do it again”.

When you go to a great concert something that happens is there is a deep sense of communality and connectedness one to another – as though we are all looking to eachother and saying yeah, we get it, we’re all on one page.

As a boy I was obsessed with Egypt and Egyptology. I’m convinced it’s not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It’s a bit like young girls and horses.

Most of life is grey, with a little tiny bit of black and white.

The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn.

The dawn is not distant, nor is the night starless; love is eternal.

For it is the dawn that has come, as it has come for a thousand centuries, never failing.

When dawn comes, that memory gradually distances…Tonight, I will bring it to sleep with me, so that will not be taken away by the waves of the night.

Across the curve of the earth, there are women getting up before dawn, in the blackness before the point of light, in the twilight before sunrise; there are women rising earlier than men and children to break the ice, to start the stove, to put up the pap.

The petroDollar system breaking down, where oil is no longer paid for in Dollars internationally.

We can never sneer at the stars, mock the dawn, or scoff at the totality of being.

Do not be small minded. Do not pray for gourds and pumpkins from God, when you should be asking for pure love and pure knowledge to dawn within every heart.