“I’m not a fan of the Eagles, but I’ve watched their documentary numerous times and everyone who’s watched it with me has sung along to the songs, much to my dismay.”

I can’t cook. I can barely make a bowl of cereal.

The best thing to do is to get out in front of an audience as much as you can, and learn from the experience.

Richard Grieco once asked for a bunch of M&M’s

Comedy is this weird thing. You have no idea why certain things work and other things don’t work.

I move out here, and next thing I know I’m 25, and the only thing I’ve heard is, ‘Can you get a coffee, can you hurry up with the thing, blah blah blah.’

My kids, they’re always embarrassed when my voice shows up in something.

The idea of a Chicago band that wanted to sing songs about California is really funny. Having never been to California.

I always felt better co-writing something – always co-writing. Because if I was the lead of it and it failed, then it failed on my own accord. I would say, “Well, I liked it or I screwed up. I take the hit on this one.”

It was nice doing something and hearing someone go, ‘Hey, you’re good at this.’

Growing up in Oklahoma, there wasn’t much to do. Play sports, do a lot of drugs, or read and watch movies, which is what I did.

My dad’s from there, and I have relatives there, but I don’t think I’ve been to Chicago since I was like 9.

If a guy doesn’t like a funny girl, something is wrong with him.

I really enjoyed playing Vinny Vedecci, the Italian talk show host. He was the first character I ever came up with where I gave him a name and a way of dressing.

I was into writing and directing. I was a bit of a reluctant actor. I would always ask friends to shoot or direct their movies, but then they’d want me to be in them.

All the stories have to do with emotion. Emotion is driving everything.

I have nothing, I have no props.’ And that was Andy Samberg. And Andy Samberg said he was looking at me going, ‘Oh, that guy has no props. He doesn’t need props.’ And that was the first time we met, was in that elevator.

I operate the camera, I always do it when I’m the director, and I like to approach it as a documentary, finding the images based on what happens, as it happens.

Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.

Documentary is, therefore, an approach, which makes use of the artistic faculties to give vivification to fact – to use Walt Whitman’s definition of the place of poetry in the modern world.

I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.

I dont see why people are so snooty about Channel Five. It has some respectable documentaries about the Second World War. It also devotes considerable airtime to investigations into lap-dancing, and other related and vital subjects

I’m doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I’ve been preparing for half a year.

I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.

Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.