I had a couple of movies that I was passionately involved with that I could never get made. ‘Richard Pryor,’ I wrote for – gosh – over a year. That was close to getting made for two-and-a-half years after that.
BILL CONDONKinsey would identify himself with Galileo in moments of feelings of persecution.
More Bill Condon Quotes
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It’s in the nature of television to restrain the spontaneity of a live event. Things become more and more prepackaged.
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For me, someone like the Eddie Murphy character doesn’t live anywhere; he lives on a stage and when he’s not on the stage he’s on a bus getting to the next stage.
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From its inception by Michael Bennett, ‘Dreamgirls’ has always been an epic story with an ensemble cast. I didn’t change that. The screen version remains, really, a group story.
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You know he comes out of stand-up. He comes – it’s all about capturing the moment – in the moment, you know.
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Because his basic idea that he got from the study of gall wasps is that everyone’s sexuality is unique.
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We knew that there was a certain kind of interest in Whale among a genre crowd.
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I wanted to make connections between Whale’s past and present.
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We’re still pushing it, you know. It is weird. Suddenly you wake up and it’s like, ‘God, five years have gone by.
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My idea of a beach holiday is going to New York for two weeks, just going and hanging out.
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It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.
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There’s no question that Whale’s movies are classics. They were wonderful, and successful.
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But you really – I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal.
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You’ve got friends and family. That’s how we get by. We talk and share and eat cake and giggle in the dark, even when we’re scared – no, especially when we’re scared.
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That day I think we really saw each other for the first time. I mean, saw beyond the bag of bones on the outside. You take away her pretty and my plain and what you get underneath is about the same: a couple of lost girls looking to be found.
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Our relationships, relationships between adults, how all those pieces fit together – that’s the most complicated thing we all face.
BILL CONDON