We knew that there was a certain kind of interest in Whale among a genre crowd.
BILL CONDONI had a couple of movies that I was passionately involved with that I could never get made. ‘Richard Pryor,’ I wrote for – gosh – over a year. That was close to getting made for two-and-a-half years after that.
More Bill Condon Quotes
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Sometimes words just don’t get you there… don’t let you say all the stuff from deep in your heart, stuff that no dictionary has a name for.
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A scientist is an unlikely character to put at the center of a movie.
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Kinsey himself collected absolutely everything.
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It’s in the nature of television to restrain the spontaneity of a live event. Things become more and more prepackaged.
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I think that finding a way into somebody’s life that’s sort of off from a side angle can tell you more about that person than a greatest hits approach.
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That day I think we really saw each other for the first time. I mean, saw beyond the bag of bones on the outside. You take away her pretty and my plain and what you get underneath is about the same: a couple of lost girls looking to be found.
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We’re still pushing it, you know. It is weird. Suddenly you wake up and it’s like, ‘God, five years have gone by.
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The thing I’ve noticed about life is that it just keeps coming at you. And it can be a real bummer. What you need to remember is that you’re not alone.
BILL CONDON -
But you really – I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal.
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There’s no question that Whale’s movies are classics. They were wonderful, and successful.
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It’s an odd thing to go to New York to shoot a movie that is set in Indiana.
BILL CONDON -
For me, someone like the Eddie Murphy character doesn’t live anywhere; he lives on a stage and when he’s not on the stage he’s on a bus getting to the next stage.
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I do think that’s so much a part of what being a director is – in working with actors – to really try and be sensitive to what each actor needs to get to where he wants to be.
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So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It’s a melodrama.
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When it comes to two of the big social earthquakes in the last fifty years – which are the gay movement and the women’s movement – I think there is a direct line from Kinsey to those.
BILL CONDON