Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We’re Gonna Make You a Star.
BILL BRUFORDI didn’t write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn’t.
More Bill Bruford Quotes
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Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.
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At the end of the whole day of working with people you want some privacy.
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The best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.
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You learn so much about music from all the people you surround yourself with – good, bad and indifferent. It’s extremely hard to be specific.
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Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
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The piano is kind of my second instrument.
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This amateurism however, can sometimes be helpful in forging a style; you have to work around your weaknesses.
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One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
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I don’t really remember a whole lot of sex, drugs and rock n’ roll, really.
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We can be so focused on the nuts and bolts that we overlook the importance of individuality – the broader picture, if you will.
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So I have the classic amateur’s technique; I know some very tricky bits and I have large gaping holes.
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Sometimes I had to room with Tony Kaye and that was awful.
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A rock band used to be four guys and a drummer. Now it’s five guys sitting around reading manuals!
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I warm naturally to the drummer whose ideas and approach are strong, even if he doesn’t quite have the ability to carry them out.
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And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.
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