“At the end of the whole day of working with people you want some privacy.”

I didn’t write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn’t.

One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.

If I was hearing something I couldn’t do, I would figure out how to do it.

We used to drink an awful lot of alcohol.

I listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.

Entertainment is about telling everybody that everything is alright but music is on the side of the upsetters and that’s where I’m at.

Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We’re Gonna Make You a Star.

You learn so much about music from all the people you surround yourself with – good, bad and indifferent. It’s extremely hard to be specific.

So I have the classic amateur’s technique; I know some very tricky bits and I have large gaping holes.

We were from totally different social backgrounds. This is what is very hard for an American to understand, but we could have been five guys from Mars.

I warm naturally to the drummer whose ideas and approach are strong, even if he doesn’t quite have the ability to carry them out.

And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.

We can be so focused on the nuts and bolts that we overlook the importance of individuality – the broader picture, if you will.

I practice at home, in between phone calls, and have much to do.

Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.

Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.

The best content is the means, not the end.

The thing about acting is that it’s fairly random. At the end of the day you take what drifts past you or what’s given to you.

So everything lets us down, including curiosity and honesty and what we love best. Yes, said the voice, but cheer up, it’s fun in the end.

I suggest just Good and Bad at the end of the term on report cards. Or maybe nothing. Frank Allen

At the end, killing is killing. Massacring is massacring.

The truth is that at the end of the day, unless you’ve generated some sort of lead, you go home and get on with the important things in life – like drinking and sleeping, and if you’re lucky, a relationship with the gender and sexual orientation of your choice.

there are times when life’s ends are so raveled that reason and sense cry out that we stop and gather them together again before we can proceed

Everyone ends up moving alone towards the self